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HAL.pedestal for the space of my body (head,arm,leg)
  • HAL.pedestal for the space of my body (head,arm,leg)

HAL.pedestal for the space of my body (head,arm,leg)
  • HAL.pedestal for the space of my body (head,arm,leg)

HAL.pedestal for the space of my body (head,arm,leg)
  • HAL.pedestal for the space of my body (head,arm,leg)

HAL.pedestal for the space of my body (head,arm,leg)
  • HAL.pedestal for the space of my body (head,arm,leg)

HAL.pedestal for the space of my body (head,arm,leg)
  • HAL.pedestal for the space of my body (head,arm,leg)

HAL.pedestal for the space of my body (head,arm,leg) is assembled out of three body part casts which are placed together on a pedestal in C.Mann measures again. It is the platform her body needs. The graphical matrix created by white tiles merges with the insides of the cones, that the eye loses its sharpness. The complex organic structure stands in contrast to the graphic pattern. Head, arm and leg are creating a space in between, which represent a body in itself. C.Mann started to dig holes for these three body extensions. What is the size and form for the head? Where does head precisely end? Starting from ground and under gravitational circumstances the soil rules the form and the three cones are adequate to the way C.Mann is able to place one of her legs into the hole. She measures with body instinct and also the fact, that the rest of her body is still connected with one of her body parts while she measures a hole. The relation and proportion evolve from for example, there is an other leg on the ground which has to organize itself in that setting.

 

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